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Showing posts with label edgar allen poe. Show all posts
Showing posts with label edgar allen poe. Show all posts

Thursday, January 30, 2014

Do you drink? You might be a famous author in training!

Good morning!

I like to have a glass of wine or two when I'm working on a new project. Do I drink because I write or do I write because I drink?

I'm not sure this list is going to answer that question, but I found this on Listopia, and thought I should share.  Hey,  if you're a writer, and you like an adult beverage, you might be on your way to literary greatness.

Top 15 Great Alcoholic Writers

Jamie Frater

Many great writers of the 20th century (especially American writers) struggled with addictions to alcohol. Some believe that this may have contributed to their great artistic abilities, while others believe that the alcohol served as a medication for other problems in their lives. This is a list of the 15 greatest writers who were alcoholics.

15. Hunter Thompson
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Hunter Stockton Thompson (July 18, 1937 – February 20, 2005) was an American journalist and author, famous for his novel Fear and Loathing in Las Vegas. On July 21, 1981, in Aspen, Colorado, Thompson ran a stop sign at 2 am and began to “rave” at a state trooper. He also refused to take alcohol tests. Because of his refusal he was detained, although during a trial the drunk-driving charges against the journalist were dropped because there was no basis for the charges.

14. Raymond Chandler

Chandler
Raymond Thornton Chandler (July 23, 1888 – March 26, 1959) was an author of crime stories and novels of immense stylistic influence upon modern crime fiction, especially in the style of the writing and the attitudes now characteristic of the genre. His most famous character is Philip Marlowe. Chandler abused alcohol for the entire duration of his writing career.

13. John Cheever
Cheever-2004Jul19L
John Cheever (May 27, 1912–June 18, 1982) was an American novelist and short story writer, sometimes called “the Chekhov of the suburbs” or “the Ovid of Ossining.” A compilation of his short stories, The Stories of John Cheever, won the 1979 Pulitzer Prize for Fiction. A combination of his extreme alcoholism and inability to cope with being bisexual, Cheever sought the advice of a therapist who said: “[Cheever] is a neurotic man, narcissistic, egocentric, friendless, and so deeply involved in [his] own defensive illusions that [he has] invented a manic-depressive wife.” He eventually won the battle against Alcohol and began a relationship with a male student.

12. O. Henry
Ohenry
O. Henry is the pen name of American writer William Sydney Porter (September 11, 1862 – June 5, 1910). Porter’s 400 short stories are known for their wit, wordplay, characterization and the clever use of twist endings. A prolific writer, often turning out a story a week, he kept his real identity a secret as his fame as O. Henry grew. A failure at business, a spendthrift, and finally an alcoholic, he died in poverty on June 5, 1910.

11. Tennessee Williams
463Px-Tennessee Williams With Cake Nywts
Thomas Lanier Williams III (March 26, 1911 – February 25, 1983), better known by the nickname Tennessee Williams, was a major American playwright of the twentieth century who received many of the top theatrical awards for his work. One of Williams’ most enduring works, Cat On A Hot Tin Roof, included references to elements of his life such as homosexuality, mental instability and alcoholism.

10. Dylan Thomas
Youngdylan
Dylan Marlais Thomas (27 October 1914 – 9 November 1953) was a Welsh poet. He is regarded by many as one of the 20th century’s most influential poets. His best known works include “Under Milk Wood” and “Do not go gentle into that good night”. He liked to boast about his drinking and said: “An alcoholic is someone you don’t like, who drinks as much as you do.” Thomas’ health rapidly began to deteriorate as a result of his drinking; he was warned by his doctor to give up alcohol but he carried on regardless. On 3 November 1953, Dylan Thomas and Liz Reitell, celebrated his 39th birthday and the success of 18 Poems. On November 5, Dylan Thomas was quaffing a few beers with Liz Reitell at the White Horse Tavern, Greenwich Village, Manhattan, when he started to feel ill. He slipped in to a coma and died four days later.

9. Dorothy Parker
Parker
Dorothy Parker (August 22, 1893 – June 7, 1967) was an American writer and poet, best known for her caustic wit, wisecracks, and sharp eye for 20th century urban foibles. Parker survived three marriages (two to the same man) and several suicide attempts, but grew increasingly dependent on alcohol. Although she would come to dismiss her own talents and deplore her reputation as a “wisecracker,” her literary output and her sparkling wit have endured long past her death.

 
8. Edgar Allen Poe
Jb Nation Poe 1 E
Edgar Allan Poe (January 19, 1809 – October 7, 1849) was an American poet, short-story writer, editor, and literary critic, and is considered part of the American Romantic Movement. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story and invented the detective-fiction genre. On October 7, 1849, at age 40, Poe died in Baltimore; the cause of his death is unknown and has been attributed to alcohol, brain congestion, cholera, drugs, heart disease, rabies, suicide, tuberculosis, and other agents.

7. Truman Capote
Capote Pic
Truman Capote (30 September 1924 – 25 August 1984) was an American writer whose stories, novels, plays, and non-fiction are recognized literary classics, including the novella Breakfast at Tiffany’s (1958) and In Cold Blood (1965), which he labeled a “non-fiction novel.” While Capote was writing In Cold Blood, he would have a double martini before lunch, another with lunch and a stinger afterward. After he was arrested for drunken driving on Long Island, he went to Silver Hill, an expensive clinic in Connecticut for alcoholics. He could stay off the booze for three or four months, and then he went back on it. He appeared on a talk show; drunk and rambling. “I drink,” he said after one binge, “because it’s the only time I can stand it.”

6. Jack Kerouac
Kerouac-Jack
Jack Kerouac (March 12, 1922 – October 21, 1969) was an American novelist, writer, poet, and artist. Along with William S. Burroughs and Allen Ginsberg, he is amongst the best known of the writers (and friends) known as the Beat Generation. Kerouac died on October 21, 1969 at St. Anthony’s Hospital in St. Petersburg, Florida, one day after being rushed with severe abdominal pain from his St. Petersburg home by ambulance. His death, at the age of 47, resulted from an internal hemorrhage (bleeding esophageal varices) caused by cirrhosis of the liver, the result of a lifetime of heavy drinking.

5. William Faulkner
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William Cuthbert Faulkner (September 25, 1897 – July 6, 1962) was an American novelist, film screenwriter, and poet whose works feature his native state of Mississippi. He is regarded as one of the most influential writers of the twentieth century and was awarded the 1949 Nobel Prize for Literature. Much has been made of the fact that Faulkner had a serious drinking problem throughout his life, but as Faulkner himself stated on several occasions, and as was witnessed by members of his family, the press, and friends at various periods over the course of his career, he did not drink while writing, nor did he believe that alcohol helped to fuel the creative process. It is now widely believed that Faulkner used alcohol as an “escape valve” from the day-to-day pressures of his regular life.

4. Charles Bukowski
Bukowski460
Henry Charles Bukowski (August 16, 1920 – March 9, 1994) was an influential Los Angeles poet and novelist. Bukowski’s writing was heavily influenced by the geography and atmosphere of his home city of Los Angeles. His father was in and out of work during the Depression years and was a reputed tyrant, verbally and physically abusing his son throughout his childhood. It was perhaps to numb himself from his father’s abuse that Bukowski began drinking at the age of 13, initiating his life-long affair with alcohol.

3. F. Scott Fitzgerald
Fsfitz2
Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940) was an American writer of novels and short stories, whose works have been seen as evocative of the Jazz Age, a term he himself allegedly coined. Fitzgerald had been an alcoholic since his college days, and became notorious during the 1920s for his extraordinarily heavy drinking, leaving him in poor health by the late 1930s. On the night of December 20, 1940, he had a heart attack, and the next day, December 21, while awaiting a visit from his doctor, Fitzgerald collapsed and died. He was 44.

2. James Joyce
Bernice Abbott James Joyce 1926
James Augustine Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish expatriate writer, widely considered to be one of the most influential writers of the 20th century. He is best known for his landmark novel Ulysses (1922) and its highly controversial successor Finnegans Wake (1939). Joyce lived in Dublin for many years, binge drinking the whole time. His drinking episodes occasionally caused fights in the local pubs.

1. Ernest Hemingway
Hemingway-Ernest-Hemingway-Portret
Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American novelist, short-story writer, and journalist. Nicknaming himself “Papa” while still in his 20s, he was part of the 1920s expatriate community in Paris known as “the Lost Generation”, as described in his memoir A Moveable Feast. Throughout his life, Hemingway had been a heavy drinker, succumbing to alcoholism in his later years during which time he suffered from increasing physical and mental problems. In July 1961, after being released from a mental hospital where he’d been treated for severe depression, he committed suicide at his home in Ketchum, Idaho with a shotgun.

Notable Omissions: Frederick Exley, Harry Crews, Jack London, Stephen King

This article is licensed under the GFDL. It uses and expands on material from Wikipedia.

Tuesday, October 16, 2012

Finally feeling the pain can make you a better writer.

Good evening!

Some of you know that a couple months back I was in a very serious car accident.  My car was destroyed.  I, thankfully, am not dead.  Since then I've been through a series of doctor's appointments, physical therapy appointments, and an MRI  where I learned the answer to the question "How claustrophobic am I?"  is "I AM SUPER CLAUSTROPHOBIC."

In the nearly 10 weeks since the accident I've been battling myself because by everyone's time table I should be back to my old self.  I should be driving like I always have, I should be performing at work like I always have, and I shouldn't have any pain.  After all, it's been ten weeks.  Get over it!

But there has been pain, and lots of it.  I've tried to push it down, to hide it, to move it away from myself. I've tried telling myself it's not real, it's all in my head, I'm being a baby. 

But the pain is very real, and it's with me every day.  And today, I got some preliminary MRI results that would be scary for most people, but for me it gives me a word for what I'm feeling, and that actually helps a little.  Knowing that the injury is real, that it has a name, that I'm not walking around like a whiny child, but that what is happening to my body is legitimate is a big deal.  I now am able to feel the pain as it is, and to deal with it in a healthy way.

Why am I telling you this?

Two things come to mind every time I have problems writing a scene, getting my characters to emote properly.  The first is a T-shirt that pops up when I window shop over at Cafe Press.  The shirt says, "No tears in the author, no tears on the page."

Simply put, if we as authors don't feel what our characters are supposed to feel, then how can our characters possibly convey that feeling to the reader?

Maybe that wasn't so simply put.

The other thing that comes to mind is an article I read eons ago about how central air conditioning was ruining the Great American Novel.  That might sound weird, but the writer of the article talked about how Falkner, Cather, Hemingway all wrote about real human emotions on a real human level, and they were successful in conveying things like how everyone is just a tiny bit insane, in part because they were possibly driven mad by the heat and humidity in the American South, especially in the summers. 

I've been thinking about these two things a lot because "Fresh Ice" is coming out in November, Lord Willing, and there's a ton of emotions, most of them dark, in all the characters.  I've never been betrayed by my husband, but my main character has.  I've never been blackmailed, but my hero has.  Somehow I have to manage to bring those feelings to the surface, and how can I when I've spent the last ten weeks pushing away my own feelings?

We live in a medicated society.  Are you sad?  Take a pill.  Are you achy?  Take a pill.  Are you on the verge of killing your first born because you have that super high powered PMS and if the kid doesn't stop whining about every little thing you're going to though a wad of peanut butter at him?  Take a pill.  Between that and central air conditioning, have we lost the ability to feel?  Well, Poe medicated plenty, and his poems and stories are riddled with pain...so maybe it's just the central air thing.

I'm not suggesting we give up central air.  Nope, I'm not ready to be that insane.  I'm also not suggesting we give up medicating when we need to be medicated. 

But if we feel pain, maybe, as authors, we need to face it, embrace it, deal with it, and put it on the page.

I know it's a new focus for me as I move in small steps toward some sort of recovery.

Now...go forth and write!

Saturday, June 16, 2012

Literary drinks for the drinking writer.

Good afternoon!

My friends at Online Education Database must have been reading my mind when they came up with this list of "25 Brilliant Literary Inspired Drinks."

It's no secret that many of the great authors of the past had some sort of addiction.  It's something my writer friends and I bring up at conferences as we are hoisting our second...fifth...glass of wine/martini/shot of something.  I'm not sure if writers write to escape their demon addictions or if they are addicted to different substances because writing, as a profession, can and will make you insane, if you aren't already sort of there.

I'm not one to follow in the path of Edgar Allen Poe, father of the modern short story...and horror in generalhen it comes to opium and that sort of thing...but I do like this list, and yes, I will feel ever so much more smarter when I order these at my next writer's conference.

Enjoy!

25 Brilliant & Literary-Inspired Mixed Drinks
Plenty of authors throughout history have drawn inspiration (or consolation, as it may be) from a bottle, and as such, there is no shortage of cocktails, concoctions, and libations that can be related to great books and their authors. Whether you're hosting a literary-themed party or just want to drink like your favorite author while you read one of his or her works, you certainly won't thirst for options (pun very much intended) when you read through this list of literary-inspired mixed-drinks. You'll find an assortment of titular puns, tributes to authors, and even a few favorites drawn from the lives of famous authors themselves to help you find the perfect bibliophile beverage.
  1. The Sir Walter Scott

    Historical novelist, playwright, and poet Sir Walter Scott was a Scottish patriot through and through, so we're not quite sure what this Hennessy-based (a French cognac) drink has to do with him. But it sure does sound good, mixing cognac, rum, triple sec, grenadine, and lime juice.
  2. The Longfellow

    The American poet Henry Wadsworth Longfellow is commemorated in this fresh and fruity drink, which blends tequila, cucumber, cilantro, and pineapple juice, a delicious mixture that is no divine tragedy.
  3. The Gryffindor

    Potter fans (at least those over 21) can indulge their booze tooth in this elaborate, color-themed cocktail. This very fruity drink is composed of cranberry juice and orange juice with just a dash of raspberry liqueur, topped with a cherry and a twist of orange peel.
  4. The Catcher in the Rye

    Break out the rye whiskey to put together this Salinger-themed drink that blends a solid whiskey with sherry, Grand Marnier, Torani Amer, and bitters. For a twist on the recipe, use vanilla-infused Angostura instead of the bitters.
  5. Bearded Mojito

    It's no secret that Ernest Hemingway enjoyed a good drink (or two or 10), even succumbing to alcoholism in his later years. Papa's poison of choice was the mojito (though whiskey would also do), a recipe for which you can easily copy at home.
  6. Faulkner's Mint Julep

    Calling this a cocktail is a bit of a stretch, but apparently William Faulkner liked his drinks pretty darn stiff (he once said, "I usually write at night. I always keep my whiskey within reach"). His recipe for a mint julep is just whiskey, ice, a teaspoon of sugar, and mint. Simple, but likely very effective in building up quite a buzz.
  7. Gin Fitzey

    The favorite drink of author and noted booze connoisseur F. Scott Fitzgerald is the Gin Rickey (which Fitzgerald apparently liked because he believed gin couldn't be smelled on his breath ... yeah right), which we prefer to call by the much more endearing name of the Gin Fitzey. To make it, you'll need gin, lime juice, club soda, and lime wedges. If that's not your style, you can also try to whip up a Great Gatsby.
  8. McCullers' Long Island

    Inspired by Carson McCullers' favorite drink, a concoction of tea and sherry that she drank throughout the day (often claiming it was only tea), this notoriously strong drink, when made right also gives the impression that it's just a simple, non-offensive tea. That is, until you wind up under the table. It blends no less than five different types of alcohol to pack a potent punch.
  9. Chandler's Gimlet

    One of the best-known stories about Raymond Chandler relates to his writing of the movie The Blue Dahlia, in which he purposely relapsed into alcoholism in order to break through his terrible writer's block and finish the script. You can drink to his insane dedication to writing (or his intense desire for a drink) by whipping up one of his favorites, the Gimlet.
  10. Pisco Sour

    Can't get enough of Truman Capote's Breakfast at Tiffany's? Take inspiration from the book, and Holly Golightly's epic parties, to mix up this drink, made of pisco, lemon juice, sugar, egg white, and bitters.
  11. Smoking Bishop

    At the end of A Christmas Carol, Ebenezer Scrooge declares, "We will discuss your affairs this very afternoon, over a Christmas bowl of smoking bishop, Bob!" So what the heck is smoking bishop? It's a type of hot, spiced wine, perfect for winter reading. Follow Charles Dickens' recipe to get it just right.
  12. The Tristram Shandy

    This punny name combines the classic shandy, made of beer and lemonade (or a citrusy soda), with the classic novel by Laurence Sterne. It might just inspire you to pen a tale, though hopefully a less long-winded one, about your own life story.
  13. Margarita Atwood

    We're not sure if author Margaret Atwood enjoys the occasional margarita, but it doesn't matter when her name fits so perfectly into this drink name. While the recipe we've linked takes a humorous view of a Margarita Atwood, you can find a more serious recipe here.
  14. Turn of the Screwdriver

    In Henry James' novella, Turn of the Screw, a young governess is tortured by seemingly supernatural figures, though the exact meaning and nature of her visions is never explained by the book. Whatever the case, this take on the classic screwdriver will help you to stave off any nightmares you might have after reading this (possible) ghost story.
  15. Bloody Stephen

    Many of Stephen King's novels are filled with bloody scenes, including, most notably, The Shining and Carrie, so it's only natural that a King-inspired drink would be blood red. Follow this very simple recipe from The New Yorker to enjoy a spooky evening at home.
  16. Stinging Rabbit

    John Updike's character Rabbit had a passion for Stingers, and you just might develop one too after making one at home. The recipe is incredibly simple, calling only for vodka and creme de menthe.
  17. Wilde About Absinthe

    Oscar Wilde wasn't shy about his enjoyment of this oft-maligned drink, once saying, "The first stage is like ordinary drinking, the second when you begin to see monstrous and cruel things, but if you can persevere you will enter in upon the third stage where you see things that you want to see, wonderful curious things." Absinthe has only recently become legal in the US, so now even Americans can enjoy a delicious cocktail like these from Epicurious.
  18. Bukowski Boilermaker

    Crude, rough-edged, and more often than not on a bender, Charles Bukowski more than likely wasn't an easy person to know, but he is an easy person to imitate when it comes to boozing it up. His favorite drink was a Boilermaker, which is quite simply a lager beer and a short of whiskey, either mixed in the glass or after putting both down the hatch.
  19. Sextontini

    Anne Sexton had an unabashed love of a good martini, and the famous drink even made it into her personal letters more than a few times as you can see from the link here. So, get a high-quality gin (no vodka, that's cocktail sacrilege), some extra dry vermouth, and some olives to make yourself a Sexton-worthy martini.
  20. Whiskey and Whiskey

    Dylan Thomas met his untimely demise at the bottom of a glass of whiskey, or more accurately, at the bottom of 18 glasses of whiskey. While it is perhaps uncouth to make light of this uncontrolled alcoholism, think of this drink, whiskey on the rocks with a shot of whiskey on the side, as paying tribute to the author instead.
  21. Dorothy Parker Sour

    Despite being an alcoholic, Dorothy Parker managed to have a pretty darn successful writing career, and one of her favorite drinks (sometimes even serving as her breakfast) was the whiskey sour. If you'd like to sample the iconic drink, combine whiskey, lemon juice, and sugar, serving with a lemon wedge and a cherry.
  22. Tennessee Fizz

    Tennessee Williams is one of America's best known and most celebrated playwrights, and he also enjoyed a good drink now and again. His drink of choice was a Ramos Fizz, a blend of dry gin, heavy cream, egg white, lemon juice, lime juice, sugar, and orange flower water.
  23. Gibson O'Neill

    Nobel Laureate Eugene O'Neill was no slouch when it came to writing nor when it came to drinking. He was known to head to the Garden Hotel in New York to get one of these classic cocktails, a blend of gin, dry vermouth, and cocktail onions, which O'Neill often spruced up with a splash of club soda.
  24. Old Fashioned Anderson

    Sherwood Anderson's writing influenced such big names as Hemingway, Faulkner, and Fitzgerald, and his propensity for drink may have been passed down as well. Anderson favored the Old Fashioned, a blend of whiskey, club soda, bitters, and sugar.
  25. Hangman's Blood

    This cocktail has several literary ties, first being described in Richard Hughes' novel A High Wind in Jamaica as a blend of rum, gin, brandy, and port that "has the property of increasing rather than allaying thirst, and so once it has made a breach, soon demolishes the whole fort." It would eventually become a favorite of novelist Anthony Burgess, who added in a few more types of alcohol for good measure (whiskey, stout, and champagne) to create a brew that would certainly give anyone enough liquid courage to be a hangman.

Sunday, April 1, 2012

Who will be #11?

Good Sunday afternoon all!

I was going through some back posts from my friends at Online College Courses and I found this nugget of fun.  Given how I'll be making the book signing rounds with Lies in Chance and Dream in Color again this summer, I wanted to give a nod to these fine authors who blazed a trail for all of us...and to especially point out #3, who has been sort of a spirit guide to all of my writing since I was in grade school and to #9 who opened my eyes to a world of possibilities while sitting at a table with me, eating peanuts.




10 Self-Published Authors Who Were a Success

It's not easy to get published. That's probably something you already know, but it's a fact that bears repeating. So many writers believe that they have the next great novel, only to find out that publishers don't necessarily agree. Even the likes of Stephen King and J.K. Rowling suffered at the hands of uninterested publishing houses, but King and Rowling also went on to incredible success. The following authors have enjoyed success as well, but they've taken a different route: they all got their start not through publishers, but by putting their books out themselves through self-publishing. These authors took it upon themselves to create their books in print or in e-book form, pounded the pavement to get them sold (with one even selling thousands of copies out of his car trunk), and eventually went on to become bestselling authors, most of them signing deals with major publishing houses. Read on, and we'll take a look at 10 successful authors who made self-publishing work for them.
  1. Beatrix Potter

    Beatrix Potter's first book, The Tale of Peter Rabbit, was rejected by several publishers, at least initially. But Potter was so driven to share her children's book, written for the son of her former governess, that she privately printed it starting in 1901. After finding success, Frederick Warne & Co. began printing it as a trade edition in 1902, and multiple reprints were issued in the years following. With more than 45 million copies sold, this self-published book is also one of the best-selling books of all time. The Frederick Warne publishing company went on to publish all of the books in Potter's 23 Tales series.
  2. Amanda Hocking

    Amanda Hocking and her wildly successful paranormal novels have made lots of news recently as a threat to the traditional publishing model, although Hocking doesn't see herself that way. Still, at the age of 26, she was selling about 100,000 copies of her book every month and keeping almost all of the profit from them. Previously, she had been publishing stories on her blog. One of her books, The Trylle Trilogy, has been optioned for adaptation as a movie, and she now has three paperback books available through St. Martin's Press despite being previously rejected by several publishing houses.
  3. Edgar Allan Poe

    Edgar Allan Poe's first public work, Tamerlane and Other Poems, was commissioned by the author himself, turned over to a young printer who had previously only printed labels, flyers, and other small jobs. The 40-page book was pamphlet-sized, and it is believed that only 50 copies were printed, although some believe the actual number is as low as 20 or as high as 200. Tamerlane and Other Poems is considered to be one of the rarest first editions in American literature. So rare, in fact, that noted poetry anthologist Rufus Wilmot Griswold believed that it didn't even exist until one was found. It's believed that a total of 12 of these self-published editions still exist today. Poe's next book, Al Aaraaf, Tamerlane, and Minor Poems was picked up by publishers Hatch and Dunning, and Poe considered this to be his first book.
  4. John Locke

    With such an auspicious name, John Locke was bound to do something amazing, and he certainly did: Locke became the first author to sell more than a million e-books without a publishing deal, and he did it in just five months. Perhaps the most amazing part of Locke's success is that he did it all without an agent, publicist, or huge marketing budget. Locke's success is credited to his deep understanding of the audience he writes for, a natural skill for a man whose background is in niche marketing. After finding success and joining the Kindle Million Seller club, Locke signed a deal with Simon & Schuster to have print editions of his books sold and distributed by the publisher. Locke has also written a guide to becoming a successful self-published author: How I Sold 1 Million eBooks in 5 Months!, a title which has done quite well itself, currently ranked in the top 100 of both Kindle's Self Help and Success stores.
  5. Richard Nelson Bolles

    You may not recognize Richard Nelson Bolles' name, but you most likely know his popular self-help book, What Color is Your Parachute?, which was self-published by Bolles starting in 1970. Bolles typed the manuscript and pasted in drawings and lithographs, then had his local copy shop print it up about 100 copies at a time with spiral binding, allowing people to order it directly from his office, typically campus ministers who already knew him. He sold 2,000 copies that way, lugging each of them himself to his local post office in an experience that he calls "back breaking." By 1972, a commercial publisher, Ten Speed Press, picked it up, and have since published eight of Bolles' books. Since first being published, the book has been wildly successful, with more than 8 million copies in print. It was on the New York Times best-seller list for 288 weeks, and is now revised annually. For his contribution, Bolles has been called "the most widely read and influential leader in the whole career planning field," and "responsible for the renaissance of the career counseling profession in the US."
  6. Christopher Paolini

    Cynics might say that it's easy to get published when your family owns a publishing house, but have no doubt that Paolini and his family put in hard work to self-publish his first book, Eragon. Paolini's parents owned a small, home-based publishing company, Paolini International, and after seeing the potential of their son's work, decided to publish the book. The entire family helped make Eragon a success, promoting the book in schools, libraries, and bookshops with the young Paolini dressed in a medieval costume. Things didn't go very well until the stepson of popular author Carl Hiaasen bought a copy of the book and shared it with his stepfather, who brought it to the Alfred A. Knopf publishing house, who contacted the Paolini family and offered to publish the book commercially. The book was on the New York Times Children's Books Best Seller list for 121 weeks, and was adapted into a feature film. He has since written three more highly acclaimed books.
  7. James Redfield

    Would you buy a New Age spirituality book out of the trunk of an author's car? It sounds like a strange thing to do, but 100,000 people did, making James Redfield's The Clandestine Prophecy an incredibly successful book, despite being rejected by mainstream publishing houses. Warner Books eventually agreed to publish it, but not before author Redfield sold copies out of the trunk of his Honda, and not just a few: 100,000 of them. After packing up his bookstore in a trunk, Redfield's book became the No. 1 bestseller in 1996, and spent 165 weeks on the New York Times Bestseller list. All told, more than 20 million copies of The Clandestine Prophecy have been sold worldwide, and a film adaptation of the book was released in 2006.
  8. Irma Rombauer

    Irma Rombauer's The Joy of Cooking is in just about every kitchen you can find, as one of the world's most published cookbooks, in print continuously since 1936. But the cookbook started out as a privately published affair in 1931, with 3,000 copies created by label maker AC Clayton and illustrated by Rombauer's daughter. At the time, Rombauer was struggling emotionally and financial after her husband's suicide, and this was her way to support her family. For an initial investment of $3,000, Rombauer had her 3,000 copies, complete with mailing cartons and stickers, all designed to sell to Depression-era women who needed a book to take the place of professional cooks they couldn't afford anymore. In 1936, Bobb-Merrill picked up The Joy of Cooking, and has now sold more than 18 million copies. The self-published first edition is worth between $500 and $5,000 on the collector's market.
  9. JA Konrath

    It took JA Konrath's book, Origin, more than ten years to find an audience, after being rejected more than 50 (yes, really, 50) times by every major house in New York. But in September 2011, Konrath noted that he has sold tens of thousands of copies of the book in the Kindle store, where it was ranked #274 at the time. In all, Konrath collected nearly 500 rejection letters for his nine unpublished novels before being picked up by Hyperion. But that didn't happen before Konrath finally found an outlet for his writing through Amazon's self-publishing system. On his blog, A Newbie's Guide to Publishing, Konrath shares his secrets to becoming a successful self-published writer. Hint: it's perseverance, mixed with generous helpings of luck.
  10. William Strunk, Jr.

    Along with his student EB White, Cornell University professor of English William Strunk Jr. wrote and published The Elements of Style as a guide to address elementary rules of usage, principles of composition, and commonly misused and misspelled words and expressions. It was originally designed for in-house use at the university and was known as "the little book," emphasis on the little. But it didn't stay little forever, and the book has since been revised and republished to much success and use. In 2011, Time magazine listed The Elements of Style as one of the 100 best and most influential English language books since 1923, and it is easily recognized as one of the most widely read and used English style manuals. All told, more than ten million copies of this originally self-published book have been sold.

Wednesday, January 26, 2011

Accept the characters that are within you and free your inner villain!

Good evening!

I have never been analyzed, but my handwriting has.  When I was teaching in Detroit, a group of teachers got together for one of those "meetings" that was supposed to "Further educate" us.  The speaker was a handwriting analyst.  It was very interesting.  I didn't put a lot of stock in that sort of thing, mostly because at the time I prided myself in the fact that I didn't have any one style of handwriting.  (In reality, I just had really, really bad penmanship.)  I thought I could fool this guy.

So we were supposed to turn in a sample of our handwriting.  He thumbed through most of it until he came to mine.  He said the words didn't matter, but he read enough so that I knew it was mine.  He studied the handwriting for a moment and said, "This is a person who is searching for a father figure."

One of the other teachers, a woman who has known my dad since high school, blurted out, "That's nonsense, she has a wonderful father."

The guy said, "Yes, but if her father is a parochial school teacher, is he ever available to her?"

A light suddenly clicked for me.  I realized that everything I'd written involved a rescue of some kind.  An older man rescuing a younger woman, or a girl.  I've always idolized men decades older than I am.  I have little time for the younger crowd.  Come see me when you hit 45 boys. 

And I love heroes.  I LOVE THEM.  I have 5 seasons of "Emergency" and 10 seasons of "JAG" on DVD to prove it.  Oh I enjoy the bad boys (Russell Crowe, Johnny Depp come to mind)  but I like it better when they're the hero  ("Gladiator" anyone?) 

I should also mention that, in addition to my obvious love of the heroic, I am a basically happy person.  Well, I would rather be cheerful mostly because it's just easier to be cheerful around folks than to dwell on whatever is wrong.  Ya gotta love the Lutheran upbringing!  "Just be happy, put on a smile, and pass the casserole dear."

But I've always embraced that darker part of me, even though I never really acknowledged it as being part of me.  In high school I read Poe, Plath, and the Sisters Bronte endlessly.  "Light hearted" reading for me was "Gone with the Wind."  It got to the point that my father, then my English teacher, wouldn't let me do an oral report on Sylvia Plath because I'd just done one on Edgar Allen Poe and he figured I should read something more cheerful.  (I smell my mother's hand in that...my dad avoids conflict at all costs...telling me I couldn't do a report on Sylvia Plath at the height of my "Bell Jar" period was just begging for a weepy evening listening to Julie London records....loudly.)

More recently, I've seen a pattern in my reading and listening habits.  I love Rick Springfield's music, but my favorite of his albums is "Shock Denial Anger Acceptance"  a loud, generally dark collection that I shred when I sing along in the car.


It's a collection of mellow love songs...really...

I got to thinking about this today as a very interesting, very evil character leaped from my fingers to my computer screen today.  When I'm writing fiction I love to have a villain and I like her to be a woman.  "Dream in Color" is an exception to that rule because that book was more about one woman's journey through a maze of reality into something far more interesting, rather than multiple character story.  Of course, then I fell in love with Jesse Alexander and TAH DAH  a romance was born.  Besides, I've always thought of REAL LIFE as being the villain in that story...that and the mother character comes across as sort of villainous.  The thing about this new villain is man, she is twisted.  My Serena Shiply Chapman is one very evil, very twisted beauty of a villain.  She's doing and saying things I would NEVER...

I was shocked.  I said, "I can't write that!" 

Then  I pondered it.

What if Edgar Allen Poe had said that?  There would be no "Tell Tale Heart."  There would be no "Cask of Amontillado."  And the House of Usher would still be standing.

Daphne Du Maurier...what if she had said, "Well, there shall be a Manderly, and everything will be lovely.  Rebecca will just be a cranky ex wife, and Mrs. Danvers will make cookies through out the book."

What if....horrors...Emily Bronte had said, "I can't possibly create a character as bold and twisted and sadistic as Heathcliff...and make him the most romantic character in literature."   THANK GOD she said, "Oh wait...yes I can!"  And she was ridiculously good at it.  So much so that she pretty much didn't need to write another word.  Heathcliff in all his dark beauty, was her masterpiece.

Today's writers seem very different.  I meet a lot of authors and writers who ask the same question over and over again, "WHAT DO THEY WANT?"  I've done enough pitches for agents and editors to know that, while they say they want a fresh voice...what they mean is they want a book they know immediately where to sell.  In the two minute pitch  (ten seconds, if you're pitching to a certain agent who shot me down in...yes ten seconds.  I barely had my name out there.

 I said, "Hi, I'm Sarah Bradley.  I have a single title romantic suspense set in a small town, the main-"

"Nope.  I can't sell that."  that was it.

I'm not ripping on agents and editors.  I WOULD LOVE to have an agent. And I really liked my editor at The Wild Rose Press.  But they have a lousy job.  These days, with the economy the way it is, there's really very little margin for error and therefore, no margin for something that hasn't been tried before.  If you want to break into print these days, you'd better have the right formula, or you're not going to get past the pitch.

I've found that female villains who have...interesting...sexual appetites don't play well in the traditional romance world.

And yet here I have this magnificent villain.  A villain so scary I'm almost afraid to open up my files for fear she's done something really depraved. 

Now you know you all have that character lurking in you.  We're all way more Bronte and Poe than we are Jane Austen.  (Seriously...I love Jane Austen made into movies, but her books.....not exactly my speed.  Where's the death?  Where's the mayhem?  Where's the dark, alcoholic in need of spiritual rescue?)

That brings us back to my need to rescue and be rescued. 

It's taken me a very long time as a writer to know who I am.  Turns out, I'm a bit schizophrenic, like my dear departed grandmother.  One the one hand, if you read my humor blog  It Can Only Happen to Sarah you'll know I'm a completely normal woman who likes to see the funny in every situation.  BUT, as a fiction writer, I'm really more interested in writing characters I like to read. 

I'm hoping that if I give Serena Shiply Chapman enough page time, I'll have the female version of Heathcliff.

And she can create mayhem while my heroine and hero are busy rescuing each other.

Now, let's see if I can pitch that!

Meanwhile, the rest of you, pick up a copy of my romantic comedy Dream in Color  at the Wild Rose Press site.  It's available in digital as well as paperback!

Now go forth and WRITE!