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Showing posts with label Shara Brandt. Show all posts
Showing posts with label Shara Brandt. Show all posts

Friday, September 27, 2013

Sneak peek Saturday (ON FRIDAY!) Lies in Chance

Hey all!
 
I haven't done a sneak peek day for a while, so I thought I'd share a tidbit from Lies in Chance.  I know we're not supposed to have favorite children, but as an author, I think this is my favorite book.  It's certainly the one I put the most work into! 
 
Enjoy!  And remember, you can get this book and any of my others, in print or digital form by clicking here!





Shara Brandt opened her eyes and stared at the gray clouds drifting overhead. More curious than concerned, she tried to blink away the gloom and change it to the ruffled pink canopy bed she’d awakened in every morning since she was ten. Not only did the clouds not disappear when she blinked, but Shara was suddenly very aware of the fact that her eyelids were covered with something sticky and, as she touched them gingerly and looked her fingers, red.

Am I bleeding?

The cobwebs brushed away from her mind and three facts because abundantly obvious. First, she had a cut, no, several, criss-crossing her face. Second, there was a spot at the back of her head and one just above her right eye that were very, very tender. Finally, she was sitting in cold, wet mud at the edge of a creek and ice water rushed over her feet, her bare feet.

Why am I outside? Where is Grandmother? Where is Richard?

Where am I?

She tried to move, tried to get to her feet, but a sudden wave of dizziness washed over her. Closing her eyes to stave off the whirling white that threatened to spin her into unconsciousness, Shara took a deep breath and tried to remember the last several hours.

I was in a car.

I was in the trunk of a car.

No, that’s ridiculous.

The scent of a new car fluttered in her memory, comforting only in that it was something familiar. She’d grown up around new cars. She always equated the smell with her grandmother. It was not a pleasant smell.

Okay, I was in a car.

She opened her eyes, but the unfamiliar creek and trees yielded no answers. Closing her eyes again she tried to picture her grandmother’s office at the car dealership, the last place she remembered clearly.

I was at her desk, looking at magazines. At bridal magazines.

She eased one eye open and glanced at her left hand. No ring. There were plenty of red welts and a bright red spot on her knuckle just above where the ring should have been. That ring was too small. Richard was supposed to get it sized over the weekend, but he forgot. I must have taken it off.

She stared at her knuckles, as if expecting the bruised, torn skin to tell her where her engagement ring was. I didn’t take it off very gently, did I?

Come on Shara, think! You were in Grandmother’s office. You were waiting for Richard. You were working on plans for the wedding. And then someone came in.

An involuntary shudder of dread shook her. She hugged her knees and tried to focus.

Then Richard came in with Grandmother.

RichardGrandmother

There was a horrible flash of memory, and Shara opened her eyes, looking for the source of the screams that shattered the quiet morning air. She bit her lip, realizing she was the one screaming.

It’s all a dream. It’s got to be. It’s all a dream. None of this is real.

She curled herself more tightly against the cold mud, waiting to wake from the nightmare.

**

Bryan Jacobs looked forward to mornings with a relish that made his students nervous. The thirty-two-year-old fifth grade teacher loved the early morning quiet in the halls of Rock Harbor Community School, the stillness of the teachers’ lounge. He could not bring himself to tell anyone, not even his best friends, not Drew, not Joanna, and certainly not Molly, why. Not even they could understand how mornings reminded him of Jenny more than any other time of the day.

Bryan settled into his favorite leather armchair, and reached for the remote control. A news junkie who watched CNN religiously, Bryan once a week ignored the national news and focused on the local news for his Current Events class. Local news for Rock Harbor students meant Green Bay news, focusing on the Packers, or the grittier big city reports from Milwaukee. While Milwaukee was four hour and a cultural lifetime away from the rural confines of Rock Harbor, Bryan found that the students in his class felt in touch with any news that originated within the boundaries of their home state.

“Mornin’.”

Bryan did not need to look up. The only other person awake and not milking cows at this hour was the principal of RHCS, Drew Shepaski, a quiet man who spent most of his life in the shadow of his perpetually verbal, and currently pregnant wife, Joanna. “How’s Jo?” Bryan turned down the volume on the TV.

Drew switched on the coffee maker. “She sees a doctor today. A Green Bay channel? Did the cable go out again?” Drew tapped his coffee mug on the counter; a nervous habit picked up from every other teacher in the building who survived long night meetings by drinking a gallon of the bitter brew spewed out in the teacher’s lounge.

“Current events class.”

“Oh. So what’s the big story?”

Bryan shrugged. “Nothing earth shattering. We have Packer news, of course. Sunday’s win makes the whole season seem rosy again, what’s new? I was actually about the change it to a Milwaukee station. You want four or twelve?”

“Doesn’t four have that blonde traffic woman?”

Bryan grinned. “Yes.”

Drew filled his coffee mug and stared at the dark brew. “Better go with twelve, then. Jo’s got enough paranoia about how she looks right now. Word gets out I’m watching the blonde traffic woman on four, I won’t be allowed in the house.”

“Twelve it is.” Bryan grinned as he changed the channel. “Here we go.”

“Breaking news from the northern suburbs this morning. Prominent local businesswoman, Lydia Brandt, was found shot to death in the Shorewood Lexus dealership she owned early this morning. The cleaning crew found her body at about two…”

“It’s always those poor cleaning people who walk in on stuff like that, isn’t it?” Drew commented over the female newscaster’s voice as he sat at the table.

“Seems that way, doesn’t it.”

“Police confirm that Mrs. Brandt was killed by a gunshot wound to the face.”

“Oh that’s messy.” Bryan jotted a note on his note pad and looked back up at the screen.

“Also seriously wounded was Mrs. Brandt’s sales manager, forty year old Richard Bennett. Mr. Bennett spoke to our reporter, Blair Dailey, from his hospital bed at Froedert Medical Center this morning.”

“Ya know, I’ll probably get in a ton of trouble for saying this, but there are days I almost wish Rock Harbor had some kind of interesting news going on, just so Blair Dailey could come up here and interview the locals.” Drew stirred three sugar cubes into his coffee, his gaze never leaving the TV screen.

“You’re worried Jo will find out you’re watching the traffic girl on four and you’re sitting here wishing from some kind of drama in this town just so you can meet—ho-ly hell!” Bryan leaped from his seat and turned up the volume to maximum.

“What?” Drew stared at the man’s face on the screen. “You know that guy?”

“That’s the guy…the guy from the loft.” Bryan nearly gagged on the words.

“That’s Jenny’s guy?” Drew threw a glance at Bryan. “Sorry. I mean, that’s the guy…from the loft? Someone shot him?”

“I’ll bet it was some poor slob who just happened to have an attractive wife.” Bryan backed up from the television and stared at the face. He tried to ignore the twisted sense of satisfaction that washed over him as he studied the man who stole Jenny from him three years ago. Sucks to be you…

“Yes, Blair, I am blessed to be alive. Losing Lydia like that…” Richard Bennett stared right into the camera lens, a tear glistening in the corners of his blue eyes.

“Were you able to get a look at the assailant?” Blair Dailey, roving reporter, stuck the microphone back to him.

“No. It all happened so fast. And now…Shara is missing. And if anyone has Shara, please bring her back…to the people that love her.”

“Oh shut up you…you lying…sack of…bastard.” Bryan’s voice was a deep, heavy growl as he glared at the face on the screen. So smooth, even from a hospital bed. Ass.

Blair Dailey, obviously now outside the hospital, continued her report. “Mr. Bennett refers to Miss Shara Brandt, Lydia Brandt’s twenty-three- year old grand-daughter, who is also Mr. Bennett’s fiancĂ©. Miss Brandt is wanted for questioning in the murder of Lydia Brandt, but she is currently missing. Police are asking for your help in locating this woman.” Here a picture, what looked to be a high school senior portrait, of a thin, pale girl flashed on the screen. The face didn’t register with Bryan, who was still stuck on the fact that Richard was engaged…and not to Jenny. “Son of a bitch.”

“Hey, Bryan? Take a deep breath and remember we’re at school.” Drew said in a low voice as he looked over his shoulder at the door. “We don’t need the rest of the staff thinking you’ve had a relapse, right?”

“Yeah, okay.” Bryan turned off the television. “Pity they didn’t get him in the face…One less wife stealing bastard on the planet wouldn’t be a bad thing.” His steps to the coffee maker were measured, almost painful. He noted the worried expression on Drew’s face. “Sorry. I wasn’t planning on airing out old wounds this morning.” He gave Drew what he hoped was a reassuring grin.

“I’m thinking maybe you should stick with the Packer news.”

“You’re no fun.” But you’re probably right.

“I know. The fine families of Rock Harbor Community School appreciate that fact,” Drew replied with a grin. “Not to mention the even finer folks of Rock Harbor Community Church, you know the group that pretty much signs your checks?”

“Daddy! Come quick!” Six-year-old Nathan Shepaski burst into the lounge. The dark haired boy was a younger, louder version of his father.

Drew, unflappable, reminded his son of the rules. “Nate, you’re not supposed to come in here. And what do you call me when we are at school?”

Nate swallowed hard, trying to catch his breath. “When we’re at school, I’m supposed to call you Mr. Shepaski. But Daddy-”

“Nate.”

“Mr. Shepaski, Mrs. Hunter says to come quick. There’s a girl, just walked out of the creek like a ghost or somthin’.”

Both men followed the boy out the door without another word.



Side note, if you don't like Amazon, friends, you can get Lies in Chance, and all my books by clicking here! (It'll take you to Smashwords, where you can download my books to pretty much any reading device, including your computer!)



Friday, September 13, 2013

The words are not the most important thing you should be hearing.

Good evening!

Back in the 80's, the band "Survivor" came out with a song entitled, "It's the singer, not the song." That song basically detailed how it didn't matter what the lyrics were, it was the passion of the singer, the emotion in the singer's voice that meant everything.  I typically disagreed because in the 80's I was young and stupid.

Over the years I've listened to a lot of things.  I've listened to more than my fair share of music, TV, radio, movies.  I've listened to children.  I've listened to coworkers, bosses, my husband.  And, the older I get, the more I realize the Survivor might just have been right.  It might be the emotion, not the words, that we all should be hearing.

Recently I got to listen to singer Miley Cyrus' latest little tune. Now, I've often thought that the fallen Disney Princess is the product of questionable parenting.  (When TV Dad is smarter than Real Dad, and TV Dad and Real Dad are the same guy, just with different writers, the world is a very confusing place.)  Her most recent antics would make us think that's she's a young woman who has everything and is way out of control.

A quick look at the refrain of her song "We Can't Stop" does little to undermine that assumption.

It’s our party we can do what we want
It’s our party we can say what we want
It’s our party we can love who we want
We can kiss who we want
We can see who we want


So la da di da di, we like to party
Dancing with Miley
Doing whatever we want
This is our house
This is our rules
And we can’t stop
And we won’t stop
Can’t you see it’s we who own the night
Can’t you see it we who bout’ that life
And we can’t stop
And we won’t stop
We run things, Things don’t run we
We don't take nothing from nobody


Oh yeah, she's a party girl and good luck trying to put her in her place.  The thing is, reading the words and hearing the words are two different experiences and after hearing the song a couple times, I'm starting to wonder if this song is less about a shout of independence and more a cry for help.  She sounds less like a defiant party girl and more like a lost child begging for someone, anyone, to help her reign things in before something really awful happens because she simply cannot stop her self destructive ways.

There's so much more to communication than mere words.  There's tone of voice, there's body language, there's facial expression.  None of which is readily available to those of us who write words on paper...or computer screen.

As writers we have to be very aware that it's not just WHAT our characters say.  Dialogue is a very good...and easy...method of characters revealing and exchanging plot points.  But dialogue alone does NOT give the reader the full experience, the full escape.

I'll take a quick example from my book, "Lies in Chance." First, here's a line of dialogue from Bryan (the romantic hero), as he's sitting next to Shara (the heroine):

"Your hands are cold."

You don't get much there, right?

Now, here's how this goes in the actual book:

She covered his hand with her own fingers, and the chill of her skin startled him.  "Your hands are cold."  His voice was husky, straining to hold back words he suddenly ached to say.  Instead, he took both her hands in his and warmed them.

Now, suddenly, you get a better image of what's going on between these two people.  Now you can sense that there's clearly something going on, that he's feeling an attraction of some kind for her.  It's not what he's saying to her.  She knows her hands are cold.  But he's telling her that he's aware she's got some sort of discomfort and, while he's not ready to tell her anything else (he's not ready to admit any of this to himself at this point in the book) he has a tremendous need to take care of her, even in this small way.  It's a quiet moment, but it's big in the story because by taking her hands in his, Bryan has crossed another in a series of thresholds he needs to cross to realize his love for Shara.

Telling stories is an art, just any other creative job.  Telling a story in front of an audience is easy compared to putting it down on paper.  Writing a story for others to read requires a sharp focus on the other senses.  We need to paint a picture, we need to turn on the volume so that our readers aren't just reading words, they are hearing and seeing what's going on with our characters.

Our readers don't want to just read the words.  And we, as writers, need to make sure we're hearing more than just what our characters are saying.  We need to hear how they are saying it.

Saturday, May 4, 2013

FREE LIES!

Good morning!

I'm so jazzed by the response to my free weekend of DREAM IN COLOR that I'm doing it again.  TODAY and TOMORROW ONLY:


LIES IN CHANCE is FREE for Kindle users!


CLICK HERE!

This is the book of my heart, this is the story and the characters that began my journey into writing.  It's a romance, yes, but there is so much more going on than a simple "boy meets girl" story.

Here's the description:

Shara Brandt doesn’t know how she wound up on a creek bank behind a school, miles from home. She doesn’t know who murdered her wealthy, but cruel, grandmother. She does know she has one chance to learn the truth about the murder, clear her name, and leave behind a shadowy past she can’t remember and can’t forget. She adopts the alias “Bethany Elias,” works her way into the hearts of the residents of Rock Harbor, and tries to ignore the way her heart races every time the reclusive Bryan Jacobs comes near her.

Emotionally bruised after his ugly divorce, Bryan trusts no one. He certainly doesn’t trust the beautiful newcomer, Bethany. He knows she’s hiding something, and he is determined to expose her secret. To do so, however, he must lie to her, and himself, about his motives…and the feelings stirring deep within him each time he sees Bethany.

It is their search for truth that will bind them together or shatter their lives forever, but only if they are willing to take a chance.


LIES IN CHANCE is free Saturday and Sunday only!


Wednesday, February 8, 2012

How much of you is in your hero/heroine?

Good evening.

I was driving home from my J.O.B. today and I was thinking about the couples in my two books, and the couple in my upcoming.  I've never really thought about it, but as I look at the three heroines, Ramona, Shara, and Izzy (From my newest WIP.)  I realize that very big parts of them come from me.

Ramona:(Dream in Color)  Starts out very overweight, in completely in love with a teen idol rock star, and loves late night pizza.  Has mother issues.  Hates that she lives the life everyone expects her to live.

Shara: (Lies in Chance)   Loves horses, is good with kids,  is blond.  (I think I'm blond.  I had blond hair before I started coloring my hair.)  Has mother issues.  Refuses to live the life everyone expects of her.

Izzy: (Fresh Ice)  Loves to read, loves her daughter, drinks coffee by the gallon.  Has mother issues.  Never could live up to the life everyone expected her to live.

Yeah, you get a pretty clear picture of me if you look at my heroines.

As I look at the things that make my heroines special, and, well, heroic, I see, too, the talents I dearly wish I had:

Ramona: (Dream in Color) Can compose music and arrangements that are brilliant and plays piano like a dream.

Shara: (Lies in Chance) Can sight read music and has a photographic memory.  Oh yeah, and she can sing, cook, and wrangle horses.  (Shes' my renaissance girl.)

Izzy: (Fresh Ice)  Can figure skate like a dream.

I always tell people I can't make a book work until  I fall in love with my leading man.  And let's look at my leading men in my books (and the pictures that inspired the characters):

Jesse Alexander:  (Dream in Color) Okay, it's Rick Springfield.  Let's just move on.  I met Rick at a meet and greet almost 10 years ago...his personality and patience blew me away, but so did the juxtaposition of his face, which is not that of an air brushed teen idol, and his body  (oh yeah, I went in for a hug) which ....let's just say, wow.  Wow.  I got such a clear image of who I wanted Jesse to be in that one hug.

Brian Jacobs: (Lies in Chance) This goes back to my childhood hero, Randy Mantooth, TVs Johnny Gage.  I met Randy 12 years ago, and again, personality was an A+.  Plus, he's every bit as dreamy as he was back in the 70's, just with better hair.  Hugging him  (yep, I'm shameless) was like finding a missing piece of myself.  When you love someone from afar for 30 years, one hug can mean a lot.

Quinn Murray: (Fresh Ice)  Okay, calling David James Elliott...I'm ready for my hug!  LOL!  Seriously, something about David's wonderful work as Harmon Rabb in JAG spoke to me when I sat down to write "Fresh Ice."  There's something about a hero who is a hero because there's just no one else around...but someone who doesn't see himself as being all that great...it's like the perfect blueprint for a romantic hero.  So yes, Quinn Murray is that heroic guy with a really, really dark soul.  He needs saving more than anyone he saves. 

I don't know if anyone else approaches it this way.  Maybe every author sees themselves in the hero/heroine. 

Maybe that's why my love scenes tend to be far less graphic than many of my fellow authors.  I'm a married lady!  (And my heroes are all inspired by married men.)  And no matter how I work it, the heroine is still in very large part me, so something super graphic, while fun to read, is too hard for me to write realistically.  It's hard for me to put aside my own morals when I see so much of me in that character. 

So, friends, how much of you do you put in your hero/heroine?  And how much of a real person do you put in the character of the opposite gender?


And Mr. Elliott?  One hug...that's really all I need!

Friday, October 21, 2011

In case you forgot:

Hello all!

Just taking a bit of a break from my work on my new novel, "Fresh Ice" to remind you that I have two novels floating out there in the wide world of the Internet:



Dream in Color is my Rock and Roll romance.  Ramona is a dreamer in a world of colorless expectations.  What happens when she finds out her Prince Charming is a broken down rock star with a bad reputation and writer's block?  You can purchase Dream in Color in print or digital copy at Amazon, Barnes and Noble, or at The Wild Rose Press!






Lies in Chance, a multi character suspense novel, has everything:  Romance, suspence, murder, and a good looking, wounded hero!  Shara is an heiress caught in a web of lies that already claimed her grandmother's life and threatens her own.  The only way for her to discover the whole truth is to live a lie...but she's not the only one in Rock Harbor with something to hide.

Lies in Chance is currently in e-book form.  You can get it at Amazon, Barnes and Noble, and for you Sony owners and those of you who want to read it on your computer, Smashwords has every other format for you!